How to Host a Comedy Show

Last updated January 13, 2025

This is a brief write-up on how to host a comedy show.

Get them to behave as a group

Your primary objective is to get a room full of individuals to behave as a single group. To do that, get them clapping/wooing together three times. If you get the audience making noise right from the start it will make them feel less self conscious about laughing later.

“How’s everybody going tonight?”
”Wooooo!” [1]
”We can do better than that. How’s everybody doing tonight?!?”
”WOOOOOO!” [2]

You might think this is hacky, but no one cares. The audience wants to have a fun time. The comics want a hot room. Management wants everyone to buy more plates of mozzarella sticks and glasses of Chard. No one is going to think your welcome is hack.

Talk to Some of them

This may seem counterintuitive given the “behave as a group” note above, but getting to know a few specific audience members will help draw people out of their shells. It’ll also create organic openings for you to make a few jokes early in your hosting set, which gets everyone used to hearing the rhythm of jokes. And…it’ll get people clapping together a few more times. Here’s how I do it:

Initiate a conversation. I start with general topics like geography.

“Make some noise if you’re from out of town!”
”WOOOOO!”

Single out someone who clapped/wooed and talk to them. You don’t have to make a joke, but it will help get them laughing organically.

”Where are you from, sir?”
”Mississippi.”
[to audience] “Give it up for Mississippi…” [3] “Is this your first visit north of the Mason-Dixon Line?”

And you’re off to the races.

You could stay on geography—”Anyone else from out of town?” “Anyone from another country?” “Anyone from a Union state?”—or you could move on. You can steer the conversation toward a topic for which you already have material. I have material on being married, so that’s where I go next.

“Make some noise if you’re married!”
”WOOOO!”
”How long have you been married, miss?”
”22 years.”
[to audience] ”Give it up for 22 years!” [4] “To the same person?” or “What’s the key to making it 22 years?”
”Open communication.”
”That’s a good one. For my wife and me, it’s having a nice even division of labor. At home, I make all the jokes, she makes all the money.”

Next you could talk to someone else, you could pivot to other material, or you could…

Cover House Rules

Depending on the club, you may need to cover some house rules. I frequently host at Bananas Comedy Club, and they don’t have any house rules. Once, I hosted at a club that gave me an entire single-spaced page of do’s and don’ts to cover. Don’t ask if anyone is celebrating a birthday. Do talk about our drink promotions…

In general, remind people to keep their phones in their pockets, on silent, or better yet, off. Remind them that heckling is disruptive and passé. When I host at Gotham Comedy Club, I’ll tell them that we’re taping these sets.

“We’re taping the show tonight. The comics will review the tapes so we can get funnier. Some comics use the tapes to send in to late night shows. I’m sending mine to my mom as proof of life. ‘How can we make these tapes great?’ you ask? Laugh. That’s it. If you like a joke, laugh; if you don’t like a joke, laugh harder.”

When covering house rules, I find it helpful to insert a joke, hence the proof of life line.

I will update this page as I think of other topics. I’m already thinking I need to add a troubleshooting section… How to handle hecklers, what do to after a comic bombs, etc.

If you have any questions, feel free to drop them in the comments below.

How to get a commercial agent in nyc

Here’s the brief story of how I found a commercial agent in NYC who’s helped me book a ton of great work with great clients like Carl’s Jr / Hardee’s, Autodesk, Regeneron, Get Your Guide, Travelers Insurance, FILO, Prudential, and FanDuel. (Check out my commercial reel here.)

1. I created a profile on Backstage and started self-submitting to low-paying gigs ($200-$500) to build out my resume and get experience. Those gigs included GFuel, AT&T, Quadrant Homes, Westy Self Storage, Ask Mr. Franchise, Porch and Patio, Magyar Bank, Downs Ford, Hilltop Nissan, Sovereign Global Advisors, At Leisure Licensing (I wrote that script too), Interactive Brokers, and a handful of others… I didn’t know about Actors Access until later, but I’d recommend creating a profile and self-submitting there too.

2. I took Brooke and Mary’s On-Camera Commercial Intensive class (which I’d HIGHLY recommend). At the end of the class, they gave us a list of 10 agents and told us to mail—yes, mail—them our headshots and resumes.

3. One of the agents I’d just mailed happened to be doing a Meet & Greet at Actors Connection. I signed up for it. During our meet & greet, he liked my read of the sample script and invited me in for an office visit.

4. A few weeks later, I went to his office and signed with A3, and have been with them for the past 6 years.

UPDATE!

In February 2024 my former agency ceased operations. In May 2024, a casting director I’d booked the Autodesk gig with—Mary Callahan, of the aforementioned Brooke and Mary—emailed me and asked who I was auditioning with since A3 shut down.

I said no one.

The next day she introduced me to CESD. Two weeks later I had a Zoom with Kirsten Walther and Maura Maloney, and the following week I had my first audition through them.

They’ve since booked me with Naadam, Goldbelly, H&R Block, and, depending on when you read this, a whole lot more. I couldn’t be happier.

I love helping people get started, so if you have questions drop them the comments below. 👇